This life-size canvas presents the scriptural character Bathsheba in a questionable shallow space, lit up from the left presented before a darker, darkened foundation. The story from the Old Testament portrays how King David saw a lady washing outside gates when he was on the patio of his castle. He discovered that she was the spouse of one of his commanders. Bathsheba is demonstrated holding a letter in her right hand while her hireling dries her feet; King David had brought her to show up before him. Her to some degree despairing yet as yet considering articulation uncovers that Bathsheba is enjoyably intrigued, however, unfortunately, worried for if she goes to King David, she will sell out her significant other. To hide his infidelity and wed Bathsheba, King David sent Eliam into a fight and requested his different officers to surrender him, leaving him to inevitable passing. God later rebuffed King David profoundly for this transgression.
Prior artisans had painted the area of King David, keeping an eye on Bathsheba. Yet, Rembrandt's portrayal brings a more tightly pictorial concentration and progressively sensual essentialness, accomplished through broad, thick brushstrokes and dynamic shading. The model was most likely Rembrandt's paramour Hendrickje Stoffels, and here the bare young lady is perched on fragile white drapery; a lavish body touched with sensitive shadowing and finely worked adornments amid fine textures. The warm agreement of the cream, gold, and copper tones, roused by Titian and Veronese, make an iridescent setting for the meditative Bathsheba. The smooth chiaroscuro, chromatic wealth, and mental nuance made the artwork one of the craftsmen's generally well known.